Contemporary Arts Center Gallery

The law is not patriarchal because it denies the existence, even the power, of women...The law is patriarchal because it denies the bodies, sexualities of women. In patriarchy, there is no menstrual blood.
–Kathy Acker

The University Art Gallery is pleased to present a series of new paintings by Austrian-born, Los Angeles-based artist Katherina Olschbaur in Dirty Elements, her first solo institutional exhibition in the U.S. On view in the Contemporary Arts Center Gallery January 11th through March 14th, 2020.

You are here and you have me and we are daring and desperate and dangerous operatives saving the world and planning the destruction of evil

B L U E  W A V E
L u t z  B a c h e r

The Department of Art at the University of California, Irvine is pleased to present the solo exhibitions of MFA candidates Andrea Welton, Mountain House, Nicolas G. Miller, Ariel McCleese and Michael Thurin. Please join us for the opening reception on Saturday, May 18th from 2–5pm.

Lidija in the Buttermilks —

Alabama Hills;

Mono, Convict, June

Andrea Welton — University Art Gallery (Front)

The Department of Art at the University of California, Irvine is pleased to present the solo exhibitions of MFA candidates Maximilian Karnig, Charisse Pearlina Weston, Yubo Dong, Brandon Davis, and Anna Ialeggio. Please join us for the opening reception on Saturday, April 27th from 2–5pm.

Dogsbody

Maximilian Karnig — University Art Gallery (Front)

“Dogskull, dogsniff, eyes on the ground, moves to one great goal. Ah, poor dogsbody. Here lies poor dogsbody’s body.

The following is a disclaimer, a contract, the rules you consent to. You are complying when you read this, or when you click a box, or when you breathe. You are participating whether you are in a space with these words or the space created by them. What are your terms of use? How do you define the structures around you? How do you trace and sculpt their boundaries so there is room for yourself?

For more than twenty years, Newport Beach developer Gerald Buck engaged in an unexpected pastime: building an unparalleled collection of artworks in a wide variety of genres and media.

How – right now, today – can we care for U.S. everyday social life? This exhibition combines two areas of recent work by filmmaker Cauleen Smith. For the show, Smith created a film from her research on the influence of the music and life of Alice Coltrane (1937-2007), a film visually keyed to a recording of a notable Coltrane composition. PILGRIM, 2017, joins three pieces drawn from an area of Smith's work best described as activist response, a multiplicity of work rooted in Chicago, where Smith has lived since 2011.

The University Art Gallery is pleased to present On this Island, a solo exhibition by Rosalind Nashashibi. Nashashibi’s films challenge perceptions that form around closed communities and the parallel realities that form within them. The exhibition consists of two films including her most recent Electrical Gaza, presented on the west coast for the first time. Originally commissioned by the Imperial War Museum, Electrical Gaza was filmed during the artist’s trip in 2014, directly before Israel’s military operation against Hamas-ruled Gaza.

UC Irvine’s University Art Galleries (UAG) will present the first survey of one of the most iconic figures of the Chicano art movement, Gilbert “Magu” Luján (1940–2011) and an accompanying publication. One of the founding members of the Chicano artists collective Los Four, Luján is known for his coloration and visual explorations of Chicano culture and community that drew upon and brought to life various historic and contemporary visual sources with startling results: Pyramid-mounted low riders driven by anthropomorphic dogs traversing a newly defined and mythologized L.A.

H.M. is a two-channel presentation of a single film based on the true story of an anonymous, memory-impaired man, the famous amnesiac known in scientific literature only as “Patient H.M.” In 1953, when he was 27 years old, H.M.