Contemporary Arts Center Gallery

MFA Thesis Exhibitions, Part II

The Department of Art at the University of California, Irvine is pleased to present the solo exhibitions of MFA candidates Andrea Welton, Mountain House, Nicolas G. Miller, Ariel McCleese and Michael Thurin. Please join us for the opening reception on Saturday, May 18th from 2–5pm.

 

Lidija in the Buttermilks —

Alabama Hills;

Mono, Convict, June

Andrea Welton — University Art Gallery (Front)

 

MFA Thesis Exhibitions, Part I

The Department of Art at the University of California, Irvine is pleased to present the solo exhibitions of MFA candidates Maximilian Karnig, Charisse Pearlina Weston, Yubo Dong, Brandon Davis, and Anna Ialeggio. Please join us for the opening reception on Saturday, April 27th from 2–5pm.

 

Dogsbody

Maximilian Karnig — University Art Gallery (Front)

 

“Dogskull, dogsniff, eyes on the ground, moves to one great goal. Ah, poor dogsbody. Here lies poor dogsbody’s body.

Terms of Use

The following is a disclaimer, a contract, the rules you consent to. You are complying when you read this, or when you click a box, or when you breathe. You are participating whether you are in a space with these words or the space created by them. What are your terms of use? How do you define the structures around you? How do you trace and sculpt their boundaries so there is room for yourself?

 

The Warplands: Cauleen Smith

How – right now, today – can we care for U.S. everyday social life? This exhibition combines two areas of recent work by filmmaker Cauleen Smith. For the show, Smith created a film from her research on the influence of the music and life of Alice Coltrane (1937-2007), a film visually keyed to a recording of a notable Coltrane composition. PILGRIM, 2017, joins three pieces drawn from an area of Smith's work best described as activist response, a multiplicity of work rooted in Chicago, where Smith has lived since 2011.

On This Island

The University Art Gallery is pleased to present On this Island, a solo exhibition by Rosalind Nashashibi. Nashashibi’s films challenge perceptions that form around closed communities and the parallel realities that form within them. The exhibition consists of two films including her most recent Electrical Gaza, presented on the west coast for the first time. Originally commissioned by the Imperial War Museum, Electrical Gaza was filmed during the artist’s trip in 2014, directly before Israel’s military operation against Hamas-ruled Gaza.

Aztlán to Magulandia: The Journey of Chicano Artist Gilbert "Magu" Luján

UC Irvine’s University Art Galleries (UAG) will present the first survey of one of the most iconic figures of the Chicano art movement, Gilbert “Magu” Luján (1940–2011) and an accompanying publication. One of the founding members of the Chicano artists collective Los Four, Luján is known for his coloration and visual explorations of Chicano culture and community that drew upon and brought to life various historic and contemporary visual sources with startling results: Pyramid-mounted low riders driven by anthropomorphic dogs traversing a newly defined and mythologized L.A.

H.M.

H.M. is a two-channel presentation of a single film based on the true story of an anonymous, memory-impaired man, the famous amnesiac known in scientific literature only as “Patient H.M.” In 1953, when he was 27 years old, H.M.

Libidinal Economies: Art in the Age of Bull Markets

Libidinal Economies: Art in the Age of Bull Markets takes as its economic mise-en-scène the bull run market of 1982 (that crashed in 1987), tracing its origins in monetary policies of the 1970’s, and mapping its echoes in the recent redux of this bull run from 2009 to the present. The New York Stock Exchange (where the selling and buying of securities, currency and commodities takes place) and the art world (where the critique of Wall Street culture is derived and scripted) presumably constitute two distinct psychic and fiscal economies located in two different physical locations.